sábado, dezembro 31, 2005

My love...

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I shouldn't have chose to spend christmas alone, to walk alone, to dance alone, talk alone, sing alone, cook alone, to take photos alone... for a more hedonistic purpose: New Years Eve at NOW & WOW.
I felt guilty in a way and decided to do my time.
So I dedicated myself to music production, and 4 new Ana tracks were conceived during this hollidays.
So I designed the sketch for a publication that will be available in a few weeks here in Holland and in the end of January in Portugal.
And I also re-wrote something (please pardon all my typos):

Ideas for free! - We are now dealing with one of the most delicate issues of contemporary society. - I'm going to adopt a baby a tell him about everything I know!

The DJ culture is not so old that one cannot trace its birth with relative easiness. By the beginning of the 1980's decade it was already normal that clubs and pubs were organizing parties where live music was being replaced by a kind of entertainment that still depends, on its vast majority, on the edition skills of a single man: the Disk Jockey. In just 20 years the DJ cult has changed from something concerned with small circles of entertainment to some kind of telecommunications business jovial face. Take Optimus Hype @ Meco as an example, a portuguese summer festival sponsored by Optimus (a portuguese telecommunications operator). I guess there's nothing twisted with this. The central theme here is not sponsoring. The big question is much more wide than that, and DJ culture is just an introducing metaphor and illustration to what is slowly happening to other spheres of mass communication.

October, 2005
When someone spots for the first time a small corner inside a bar, next to a whisky and vodka machine, where there is a screen with someone dressed like a bartender touching it every ten seconds someone might think he is checking every order into the processor and calculating bills. I base this premiss on my own cultural background.
There are lights blinking and even smoke machines. Different night, different bar and different people dancing to no DJ. Turns out, besides his drink-mixing skills, the bartender also owns audio-mixing intuition.

In Holland there are around ten big companies that make DJ software. There is an application that works on Windows XP platform and any personal computer with a touch-screen can run it. The interface is very similar to the one from the more known Traktor DJ Studio and not only bartenders are using it. I witnessed already DJs (that is, men that don't serve drinks that night) using it. The companies that sell this services do more than programming, or they would stop getting money after every small dance-entertainment-business bought one copy of its creation. They also establish protocols with the institution that controls copyrights in Holland and every month, in return for specified fees, they mail a new CD-ROM with 400 MP3 tracks to the paying bars. The first doubt that comes to one's mind may be about he nature of software: Is it a set of ideas or is it a material thing? If something was taught to the users this last times, is that a computer generated image, text or video, is as material as the meaning it comes out from a painting, book or film. The fundamental difference is that it can be copied with very little or even no amount of financial investment. Duplicating a file has null costs and tends to be very fast.

As Andrew Brown (November 19, 2005, The Guardian) said:
"In the beginning, computer software was neither patented nor copyright. For so long as the machines had no users, only programmers, this made sense. But in the mid-1970s, people started to see they could make money out of software. This is not easy or obvious, because when I make a copy of your program, you still have the original, which works just as well as it ever did."
Later in the same article he also rephrases Thomas Jefferson statement meaning that when one shares an idea nothing is lost so, naturally, it cannot fit in the same market standards has oil or rice. The logic of economy is the one from trade. It is logical that one gets compensation for losing a bread but not from instant free-cost copying.
Excessive commercial orientated production has shown its claws to the industrialized world in 1929. By that time it happened with material property.

Nowadays the bartender can easily replace the "vinyl DJ". Midi-controler-or-not, playlists-or-not, auto-mix-or-not, random-or-not, everything is possible!-or-not!
It's not possible to play non-authorized songs. And I don't obviously mean author-authorized, but software-company-and-intellectual-property-institution-authorized. Those systems are connected to the internet and content management is enforced from the source. If not, that control is already codified on the software.
Nothing truly dangerous yet, but to a kid that usually goes out on weekends it's already too easy to understand what kind of environment a place normally has just by knowing the brand they use for DJing. "Oh! Fuck... It's Xenox... Lets get out of here." Worse, a regular MP3 CD won't work unless the system is illegally cracked. Even if you want to hear your own music (you produced) and/or the track has no copyright limitation. And if that kind of impediments to free culture are not illegal, they should be.

I predict that in about 9/10 years, a big part of the commercial and underground artists field of action (visit cards, video clips, music production, logotypes, posters, flyers, personal invitations, furniture design, corporate identity, merchandising, clothes...) will have already suffered a gentle but strong turn on the authorship responsibilities. I mean that these kind of products will probably be projected, not by highly particularly trained professionals, but by other workers. Personal secretaries and civil constructors with a little help from the right software and hardware will be able to design proper solutions for particular cases. Type scanners, 3 axis scanners, laser printers, all kind of recorders (...) will allow the middle class person to be so much of a consumer as a producer. Urban landscape will evolve to a point where real time advertising mixes with information, where personal tools have as many communicative power as corporate media interests. Small MP3Player-Digital-Camera-TouchscreenTV-Computer-Telephones with GPS are already connected to the internet through public places access points.

Power VS control.
The individual lifestyle might not permit the actual public of mass communication to identify its own capabilities, and therefore the personal representations will probably be less effective than the collective representations. By the year 2006, more than 50% of the world population is already living in metropolis (cities with more than 1 million habitants). And the a big part of this metropolitan-people hasn't even touched a computer yet. Most of the macro cities are located in underdeveloped countries.
For example, China gigantic concentrations of human beings have just recently started to receive the even bigger amount of innovations that developed civilizations have created in the last decades. Lets not make the mistake of thinking that european, japanese and american cultures are fully aware and in great control of the media society. In fact, changes are less visible in slow motion.
If we combine this facts to the small but effective modifications happening in the name of intellectual property industries' interests, the most objective result will so disappointing as the one predicted by George Orwell in 1984.
Society always needed the feeling that everything is under control to maintain order, and news companies, cannot just tell the people, that the public can say and "write" everything they need to be said and written for them. The list is endless: music, manifests, news, radio and TV programs, web-sites, software, movies, documents, laws and even money. That would simply generate chaos the same way it would happen if the pope came to some balcony and said to a million christians: "God exists only as a concept! You know? Like an idea and even less than a cartoon character..."
The most conscious news and media corporations have definitely no need to bring some light and responsibility to the actual consumer. What most clever cultural content producers are doing, is exactly the opposite: getting the public lazy and comfortable in it's new in-materialism. Cheap fun orientated gadgets, automatic content filters, 100$ Laptops (without Hard Disk what can ultimately get young children used not to record information - for educational purposes - they say), software that installs itself on a computer that prevents copies being made and breaks the machine if an attempt is made to remove it...

Whether it is Sony, the government, a travel agency, or some american cracker mafia gang that ends up working, controlling and owning with the user's tools, doesn't really matter now. What's important is to understand this are changing times. And the time to take reasonable and responsible attitudes is now. Tools are built, we just have to use them for higher purposes that the ones seen in commercials. Allow me to remember that we are dealing with one of the most delicate issues of contemporary society with one perfect example:
"The public project that sequenced the human genome, led by Sir John Sulston and Bob Waterston, defined itself as in opposition to patenting data. This wasn't just an idealistic stance. (...) Sulston now, after his Nobel prize, spends much of his time campaigning for public access to scientific knowledge and its fruits." (Andrew Brown) Now the bird flu virus DNA sequence is available for the public and according to some scientific opinions, it's easier and cheaper to sequence it than it is to build an atomic bomb. It seems scary but that is precisely why there is no point in continuing to fear the unknown, praising the wisdom of the fool procreating happily ever after. 25 000 thousand years ago we were maybe 2 or 3 Homo Sapiens-Sapiens. 50 years ago we were 2.5 billion. We are now 6.5 billion and counting. The good thing is that laziness can go sideways, and the same way it may help controling information, it may stop all nutjobs arround the world from trying to sequence the bird flu virus DNA, or make every one to work a lot and earn a lot money to buy 60 Gigabytes of new audio-tracks. "In the US, for instance, it is illegal to copy your own CDs on to your own iPod. Obviously, this is a law that is broken all the time, or nobody would ever buy an iPod. The 60GB model sells for $350 (£200); to fill it up with freshly downloaded content from the Apple store could easily cost another $25,000."

Even so things are tending to a kind of comfortable fear control. In my opinion, if nothing is done now, the general public of the future will hardly imagine what might have been with a little bit more responsibility before... If you don't believe in me ask that guy in the metro station next, to Ástato projection, uploading images and downloading old-school New Emotion, making a video-clip for Memorex in 2016.

Now I don't feel guilty if there is another snowstorm and people sleep on the streets and outside the club!
now-wow

This text wasn't finished until I wrote this paragraph. There is one thing I didn't mentioned but I didn't forget. It's Rotterdam. Rotterdam is different from all the other cities in Holland. Most people say it's grey, and ugly and that it has the highest criminality rate in Holland and I still feel safer there. Most people say it has one of the worst art and design schools I could go here in Holland. "Willem de Kooning!!? There was evaluation of schools made some time ago and that school was one of the worst! Den Bosch it's lecker!" Maybe you have the best architectural environment in Holland and the best conditions, and more and better work space, and more freedom and innovative teaching systems. But what does that worth if you don't share your life outside it... Because of my old good friend Meinhard, Rotterdam was the place for me to be in Holland.

Have a nice 2006!

quinta-feira, dezembro 22, 2005

: ) :

Wolk, a work from Rob Donkers (a friend of friends)! I think it's made on Max MSP. I also liked other stuff like boom boom du terre or pakman this last one it's a giant leap for weather TV announcements.
The site: http://www.robdonkers.nl/.

The dark side: (
"As things stand now, the geniuses of computer technology will give us Star Wars, and tell us that is the answer to nuclear war. They will give us artificial intelligence, and tell us that this is the way to self-knowledge. They will give us instantaneous global communication, and tell us this is the way to mutual understanding. They will give us Virtual Reality and tell us this is the answer to spiritual poverty. But that is only the way of the technician, the fact-mongerer, the information junkie, and the technological idiot.
Here is what Henry David Thoreau told us: "All our inventions are but improved means to an unimproved end." Here is what Goethe told us: "One should, each day, try to hear a little song, read a good poem, see a fine picture, and, if it is possible, speak a few reasonable words." And here is what Socrates told us: "The unexamined life is not worth living."
The complete lecture is available here. And it worths ten minutes or fifteen, despite it is a little bit too much religious...

Bored to hell!

Desinspirado é sinónimo de triste. Não estou habituado à falta de musas e muito menos ao descontentamento conformado. Não que seja mimado ao ponto de ter sempre tudo o que quero mas... Aqui deixo uma articulação de palavras que só a muito custo consigo escrever:

Olá por aí festa
Baby Manhã
Amanhã livro rápido breve
depois trelo lorpa
Design pilar
a pilar com ela
nhê cócó
xixicama.
Vem uma bomba e morrem todos.

In English now:
You know what? I don't like it here... I don't like it here in this house on one of the most problematic neighborhoods in Holland, and that's not even the problem, (most of you don't know how it is back in my Porto). The social problems here in 's-Hertogenbosch are not car-parkers, drug addicts, ugly hoes, dirty streets nor lack of economic power.
Here people are more polite in shops, bars, public services, everywhere... Generally speaking dutch folks smile a lot more than portuguese. And for me, the worst of it all, is that it's never as fake as most portuguese do. You get it? I believe there's no reason to smile if its raining, if you had a bad day and you are never going to see me again for the rest of your life. But you smile truthfully. I don't know why... Maybe it's because you are happy to have a good paying job, a beautiful wife and two healthy kids. That should make it...
Even so... If it depends on me Den Bosch is a part of my past. There are somethings I'll never forget, I know.
Mark (big), if you read this, you asked me what I first thought of our class the first time. I told you I did not have an opinion at that time and that I didn't thought anything at all. Honestly, you all seemed to me quite closed... Nothing strange. In Portugal most people don't give themselves at first sight. The problem is when it takes more than 3 months to arrange a meeting outside school. You and Mark (DJ), were exceptional with us. By having known you I can, (between many other things), go back to Portugal and say that I've been in my dutch friend's rooms drinking a couple of beers and listening to music. But even with your effort to become a little bit portuguese, I don't like it here... I'm so sorry that tears almost come to my eyes as I'm writing this.
Let me explain.
Since I'm here I think I have been seeing about thirty movies a month... Maybe more. Hollywood is just two minutes away and there I find Cannes, Rotterdam Film Festival, Teen Adventures, Action, Pixar, whatever... But in Porto I can meet about thirty guys a month. And they will much probably say "Hi!" to me if after one week I see them again.
Here I spend minimum 8 hours a day in front of the laptop. Dividing the time between school works, DVD playing, making music, designing for clients in Portugal, informing friends and documenting life, like in this case... I bless my laptop.
In Porto I spend about 8 hours a day with my friends...
Weather reports are always the first excuse. But I think it's deeper than that. It seems to me that my generation (people between 20 an 30) have lots of social pressure on their shoulders, here. It's like a transition ritual...
Facts:
Every student gets a good scholarship from the government that will be taken away if the student fails a couple of years.
Most of dutch youngsters stop depending on their parents at age 18, maybe earlier.
Dutch students have part time jobs at least one day a week. Washing cars, driving cabs, whatever...
And if I take our professional world has an example, dutch design has, indeed, a tradition of good design, undeniable. You are forced to keep it up by doing everything school asks you.
You have a much better social state and corruption it's null when compared to the Portuguese politics.
But you know what? It doesn't make me happy. At all! And one thing I'm almost sure you have trouble imaging is the pleasure in leaving obligations behind waiting for me to finish my beer drinking and time killing... sitting and laughing with my friends in the portuguese spring sun!

What next? Public Touch Screen Graphic Design Pay Boxes... Design it yourself!

Taken from http://burnfield.com/peter/work/marie-frans/

"Marie Frans is a new swedish photographer’s agency, representing four photographers (one of them being my favourite Daniel Norrby). Me and Martin Ström were asked to create their graphic identity and website.
I am very interested in business cards in general. The fact that a small 90x50 mm paper card should represent a person and sometimes even a company is to me very fascinating. I do like the idea of giving something away — as you do with business cards — and I think that aspect of the business card is more interesting than the actual information part (the info you can at most times find elsewere if needed).
One thing that was important when creating the Marie Frans graphic identity, was the fact that Marie Frans is a small company with a limited budget and a company that might be in a completly different place (in terms of people and location) in a near future. A solution that was cheap to produce and easy to update was to prefer.
Since Marie Frans works within the field of commercial photography — with most clients beeing advertising agencies and magazines — leaving a trace is important. The most logic thing to leave behind would be some kind of reproduced photo, why then not make these photographs into the business cards? A business card containing the usual contact information but also beeing a photo by one of the photographers represented by the agency. Of course — such a solution would probably turn out quite expensive; reproducing photos in 4 color, on nice paper etc. And the biggest problem; having to stick to one or at least a limited amount of photos. The solution is very simple: let’s print the business cards at an instant photo development service, where people go to print their digital photos. Not only is such a solution quite cheap (about 1.2o € / business card), it’s very easy to update with new photos and new contact information and it is easy to make more of them without having to make new offset plates etc. And a nice bonus feature — it differs very much from other agencies glossy identities, and deals with a kind of honesty (to the object, purpose, material etc) that I would like to think is important in my work.
After some research, I found out that one of Swedens biggest photo chains Expert not only offers you the opportunity to upload pictures over the internet for printing but has a service where they split up you photo into 4 smaller photos: a 100x150 picture becomes four times 50x75 — perfect for business cards. After a couple of try-outs (especially with the typography, since it had problems turning out nice in small sizes) a final result was reached. The first round of business cards comes on two different photos, but when needed Marie Frans can simply upload a new one (with the contact info added on top) at expert.se, wait a couple of days, pick up at the local Expert store, cut two times and tada — four new business cards."

quarta-feira, dezembro 21, 2005

2 New Ana Releases!

Incidências descoordenadas.

Fiz um trabalho sobre propaganda.

Página 6
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Capa
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Hoje em dia, a maior parte do meu tempo passa-se em frente a um computador. Talvez sejam questões socias, estou a modos que emigrado para os meandros da Europa, reforçadas pela necessidade que tenho de comunicar fixando e afixando aquilo em que penso. Já há muito tempo que invisto muita da minha energia em tentar compreender o vasto mundo dos "novos" meios de comunicação para massas. Vendo bem as coisas, digo mesmo que não entrei para este curso à toa. Não que soubesse das disciplinas e de toda a orientação do curso, mas antes porque assim que li a palvra comunicação no curso, me apercebi que a sua natureza, somada à noção de design (entendendo design como projecto e afim concretização) teria todo o interesse para quem visa fazer parte da sociedade global.
Assim permito-me, ao fim de mais de seis anos a estudar as especificidades da comunicação sensorial, concluir coisas. Porque não? Quem mais o poderá fazer com tanta liberdade senão um estudante?
Li numa revista de autor, constituída na sua quase totalidade por citações, que ser honesto é perigoso se não se fôr estúpido, Buckminster Fuller, Winston Churchill ou coisa do género. Aqui busílis não é o conceito de honestidade, embora pense que seja de igual modo inultrapassável. O que mais toca é o facto de eu também ter tido a ideia de elaborar uma revista cheia de "abre aspas... fecha aspas". Alguém o fez primeiro. E... enquanto descobria isso, folheava as primeiras páginas divertindo-me do mesmo modo que uma observação de um masturbação lenta faz sentir o voyeur. Contentado pelo reflexo de ideias fabulosas. Depois disso veio o desânimo: o cllimax não era só meu e do emissor. Pior! A revista era gratuita!

Quando me revejo em ideias similares às minhas na actuação de alguém distante invade-me quase sempre uma sensação-cocktail de contentamento e revolta. Em dose certa e com a proximidade certa a boa bebedeira é certa. Pode dar vómitos. O envenenamento é garantido quando o copo é servido por alguém de quem não gosto e a bulha é certa quando sei que o emissor não percebe muito do que está a fazer. Retraio-me tantas vezes de regurgitar no meu reflexo que agora já não tenho paciência para falsas modéstias e prefiro sempre aproveitar aquilo que de bom pode vir da situação. É quase sempre aí que me sinto cumplice de uma ideia colectiva e não quando a maioria aprova. Onde os flyers do Passos dizem isto é um Flyer do Passos Manuel depois dos meus postais de Turismo dizerem This is a Tourism Postcard. Quando os posters desenhados à mão pelos observadores com citações de outros já vêm depois dos meus.
Como se ficasse calado quando os gajos da LEX Records começam a chamar Emotion à musica que fazem depois de a muito custo ter respondido a meio mundo cada vez que me perguntou que tipo de música faço: Nova Emoção (e corei), ninguém dá por nada. Aliás já toda a gente pensou nisso, só que não tiveram coragem ou possiblidade de o dizer. É tramado ; )
A alegria que vem da sensação de partilha (por maior que seja a distância contextual) é maior do que toda a tristeza que advêm das críticas às manias, aos egos e às pretensões.
Pissas para ti que não te espelhas no que os outros dizem e comentas o jornal com se fosse mais verdade do que o que vês.

Poster:
Step 6:
Start your own reccord label!

posterholandes

segunda-feira, dezembro 19, 2005

Dutch Design Details

Double Double Hanger
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Like this you can place at least two jackets on your side. Nothing special but still quite helpful.

Blind-side-walk
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On the streets and public buildings. Know that they use a blind-stick with a rolling-ball placed in the ground edge that it is constantly touching the sidewalk. That is another design detail but I have no picture of it.

Bag-bench
bench_for_bags
It's still comfortable to sit for few minutes and you can place your bags under your ass.

And this is just a glimpse.

sexta-feira, dezembro 16, 2005

E-Card Design Contest! I'm gonna win!

joao_marrucho

quarta-feira, dezembro 14, 2005

Veloz até ao choro!

Acho agora que não existe nenhuma palavra ou conceito que misture a memória especulativa, que tenho sobre o que os outros me disseram que aconteceu antes, com a nostalgia em contradição, potenciada pela percepção de características e contextos completamente opostos à saudade. Vou inventá-la sem recorrer a estrangeirismos nem a línguas mortas.
Padealtra: s.f. sentimento ou emoção que decorre da razão, blá...
Exemplo:
A falar de comboios de alta-velocidade holandeses com a Silvina, veio-me à cabeça a informação que a minha mãe me tinha dado uma semana depois de terem cancelado as carreiras semanais que paravam a 12 km da aldeia em que ela nasceu. Imagino que no dia em que o meu avô descobriu isso se tenha deitado pouco depois de o sol se pôr, como é hábito, a pensar em muito mais do que neologismos.
A padealtra dói.

vec_des_padealtra

VEC GRÁFICO | New Slang & Mimesis

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VEC GRÁFICO | De Roterdão

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terça-feira, dezembro 06, 2005

Texto ao desinformado:

VEC-GRA-HEARTlimites
Um gajo defende comunhas e dentes o desinformado e o saloio faz ouvidos moucos e auto-mutila-se. O estádio só não se chama Pinto da Costa porque o senhor falseou a modéstia... Depois é claro que a fome, a guerra, a analfabetização, os problemas urbanísticos e a desordem social não deixem correr espectáculos como o meu...
E se quiseres eu ponho-te as coisas em bilingue:
Achas muito mau a câmera nem sequer ter uns trocos pa fazer obra ao pé de tua casa e depois queixas-te c'as decorações de Natal estão muit'a fraquinhas. "-Iça culpa é du sestiema. Combada de chupistas! "Vá la mas é recolher o lixo questa merda tresanda." Já dizia o da elite. Informado e unha arranjadinha.
Este ano mais de 50% da população mundial vai viver em cidades. Só 70 milhões já estão ali num corredor num canto de África à espera de uma cidade com luzes de Natal desenhadas pelo mestre da representação em que me tornarei se não orientas a tua e a nossa vida.

Free pictures can make you new...

...and you start to think as if it was on purpose...
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landscape-008

A SOLARENGA

lensflare_silvina

segunda-feira, dezembro 05, 2005

VEC GRÁFICO | Profecia 2 e mais um Laptop

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vec_design_care
vec_design_moveon
vec_design_know-it
vec_design_accept
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iPod
Anti America
Copyleft
Wikipedia
Googleimages
mourinho
msn
Big Brother
nano-test-tube

AND I ALMOST FORGOT THE OLPC LAPTOP.
OLPCNegroponte

The last big sign is right in front of your nose and even so I'm not sure you have spotted it already. Two tips: it is not me and it's Weblogging.



vec_design_don'tworry

quinta-feira, dezembro 01, 2005

VEC GRÁFICO | WOULD I?

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VEC GRÁFICO | In a way

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